‘Ab sab dhandha hai’: Kitu Gidwani slams today’s TV as low quality, detests saas-bahu obsession

In a conversation with Oka Boka TV, Kitu said, “With Indian women characters, we don’t see any strong ones on TV like we had Rajni, Shanti, my Svetlana in Swabhiman… I don’t see them. We don’t see that central woman character, driving the whole serial,” Kitu said, pointing to a shift in how female protagonists are written today.

TV in the 90s was about a society in transition

Kitu contextualised these stories within a larger social churn. She said that in those days, we were still finding our identity, and women were finding theirs as well. Questions around work, marriage, independence, and family roles were being negotiated in real time, and television mirrored that uncertainty.This was also the era of richly diverse storytelling. Shows like Gul Gulshan Gulfaam, set in Kashmir, and Sahil, centred around a music composer’s life, reflected regional and artistic narratives. Meanwhile, Junoon (1994), produced by Mahesh Bhatt, featured a huge ensemble cast, including Tom Alter, Soni Razdan, Mangal Dhillon, Neena Gupta, Archana Puran Singh, Pankaj Berry, Rajesh Khattar and Puneet Issar, in a sprawling drama about rival business families. Kitu recalled, adding that both Junoon and Swabhiman ran successfully for nearly four years.

‘Television today is a different universe,’ says Kitu

Kitu did not hold back when asked about contemporary television. “It is a whole different universe today, and I don’t do it anymore because the quality is so bad. But everybody loves it. There is something in the Indian psyche which loves this very horrible situation between a saas and bahu… I detest it. Ab television ko kya ho gaya hai… ab sab dhandha hai (Don’t know what happened, it is all business now). Somebody told me, bas aankh band kar ke kijiye, ye dhandha hai. (Somebody told me, close your eyes and do it, it is all business now)”Kitu Gidwani’s acting journey through TV and films

Kitu’s own journey mirrors the evolution of Indian television. She chose TV at a time when it was still emerging as a serious storytelling platform. Her early breakthrough came with Trishna (1985), widely regarded as her first major television role, where she played a central character. Beyond television, Kitu has played varied roles in films like Priyanka Chopra’s Fashion, Kiran Rao’s Dhobi Ghaat, Alia Bhatt starrer Student of The Year, Aditya Roy Kapoor and Shraddha Kapoor’s OK Jaanu, but according to her the highlights of her career came on the international stage with the film Dance of the Wind (1997), directed by Rajan Khosa. The film, centred on a young classical singer grappling with the loss of her voice and identity, earned worldwide critical acclaim. Kitu won the Best Actress award at the Festival des 3 Continents in Nantes, France, an achievement she counts among her proudest moments.Kitu’s latest project

In recent years, Kitu Gidwani has worked selectively across television, films and OTT, choosing roles that offer depth rather than visibility. Her most recent confirmed television appearance is Hum Rahe Na Rahe Hum (2023), which marked her return to TV after nearly two decades. In the show, she played a regal and tradition-bound Rani Sa, a queen-like matriarch rooted in old-world values, bringing authority and nuance to a character caught between legacy and changing times. She was last seen in 2025, Madam Driver, in which she played a woman working as a professional driver in a largely male-dominated space. It was a limited release.