40 producers, 1000 meetings in 2 days: How Screenwriters’ Association is opening doors for outsiders in Bollywood
With mentors like Vikramaditya Motwane and Shakun Batra (to name a few), SWA’s Pitch Fest is shaping new writers as ready products for Bollywood.
Over the last few years, one of the common complaints of viewers – when it comes to Hindi films and shows – is the lack of originality. Where are the writers creating new stories and original content? That is the question people ask when reading about the umpteenth remake or adaptation. The answer is: ‘in development’. As the industry grows more insular and corporate each year, writers have taken it upon themselves to seek fresh talent to bring new voices to the table. Through a pitch fest, they are now allowing the country’s best young writers to get a foot inside the guarded doors of Bollywood.What is SWA’s script lab all about?
The Screenwriters’ Association of India (SWA) began a Script Lab in 2021, which eventually developed into a Pitch Fest, allowing new writers to pitch their ideas and scripts to everyone from Karan Johar’s and Aditya Chopra’s production houses to streaming giants like Zee5 and SonyLIV.
The initiative began in August 2021 with the aim of doing a script lab and finding six mentors for the top six entries. This involved multiple rounds of reading scripts in a transparent process. But the sheer number of entries forced SWA to go bigger. SWA had anticipated 45-50 scripts, but the final number exceeded 600. Overwhelmed by the entries, 80 readers had to be hired. In 2025, the fifth year of the script lab and pitch fest, 1,479 entries were received. The organisers expected 45-50 entries in the first year. They got 600.
Mitesh Shah, EC member and Chairperson, SWA Education Sub-Committee, informs, “We try to cull out the top 10%. Every entry goes through two readers in the first round, who don’t know who the writer is, using registration numbers to ensure no bias. Readers go through an orientation to know what to look for, and we average their grades.” Entries consist of a four-to-five-page story and the first ten pages of a screenplay. The idea is simple: in India, everybody has a story, but to be a writer, you must tell it well on paper.
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